HistoryData
Maya Plisetskaya

Maya Plisetskaya

19252015 Russia
ballet dancerballet masterballet teacherchoreographermemoirist

Who was Maya Plisetskaya?

Prima ballerina of the Bolshoi Theatre for 30 years who became one of the greatest dancers of the 20th century. She was renowned for her dramatic interpretations, particularly her iconic performance as the Dying Swan.

Biographical data adapted from Wikipedia’s article on Maya Plisetskaya (CC BY-SA 4.0).

Died
2015
Munich
Nationality
Zodiac Sign
Scorpio

Biography

Maya Mikhailovna Plisetskaya (20 November 1925 – 2 May 2015) was a Soviet and Russian ballet dancer, choreographer, ballet director, and actress, widely considered one of the greatest in classical ballet history. Born in Moscow, she spent many critical years of her career as the prima ballerina of the Bolshoi Theatre. Her amazing technical skills, dramatic intensity, and unique expressive arm movements made her stand out from other dancers of her generation. Later in life, she became a Lithuanian and Spanish citizen, showing how her life eventually reached far beyond the Soviet Union's limits.

Plisetskaya's early years were marked by political turmoil. Her father, Mikhail Plisetski, a Soviet official, was arrested in 1937 and executed in 1938 during the Great Purge. Her mother, actress Rachel Messerer, was also arrested, imprisoned, and then held in a concentration camp with her infant son Azari. To avoid going to an orphanage, Maya was taken in by her aunt, Bolshoi ballerina Sulamith Messerer, while her brother Alexander was raised by their uncle Asaf Messerer. Both brothers became solo dancers at the Bolshoi. Despite these challenges, Plisetskaya enrolled at the Bolshoi Ballet School at age nine and first performed on the Bolshoi stage at eleven. She learned under Elizaveta Gerdt and Sulamith Messerer, graduated in 1943 at eighteen, and immediately joined the Bolshoi Ballet company.

She quickly moved up the ranks in the company, and when the famous Galina Ulanova retired in 1960, Plisetskaya took on the role of prima ballerina assoluta. She danced under the leadership of Leonid Lavrovsky and Yury Grigorovich, though her relationship with Grigorovich eventually became openly contentious. During the Cold War, Soviet officials valued her international fame for its propaganda potential. Premier Nikita Khrushchev reportedly called her not just the best ballerina in the Soviet Union but in the world. Starting in 1959, during the political Thaw, she was allowed to tour internationally with the Bolshoi and on her own, performing for audiences across Europe and the Americas.

Besides performing, Plisetskaya was actively involved in choreography and ballet direction. She was the artistic director of the Rome Opera Ballet and later the Spanish National Ballet. She worked closely with her husband, composer Rodion Shchedrin, who composed several major scores just for her, including his adaptation of Bizet for the ballet Carmen Suite in 1967. Plisetskaya's portrayal of Carmen became one of the highlights of her career. She had previously been married to Bolshoi dancer Māris Liepa. Her memoir, I, Maya Plisetskaya, gave a straightforward and often sharp view of life as an artist under Soviet rule.

Plisetskaya continued to perform and teach well into her later years, appearing on stage past the age of seventy. She received honors from several governments, including the Soviet Hero of Socialist Labour, several Orders for Merit to the Fatherland from Russia, Spain's Commander of the Order of Isabella the Catholic and Golden Medal for Merit to Culture, and Japan's Order of the Rising Sun. She passed away in Munich on 2 May 2015 at the age of eighty-nine.

Before Fame

Maya Plisetskaya grew up in Moscow during a very challenging time in Soviet history. Her father was arrested and executed, and her mother was imprisoned when Maya was still a child, which could have disrupted her education or career. However, the extended Messerer family, which was deeply involved in Soviet ballet, provided her with support and artistic guidance. Raised by her aunt Sulamith Messerer, Plisetskaya was introduced to classical dance early on.

She joined the Bolshoi Ballet School at nine and showed exceptional talent right from the start, combining her natural physical abilities with fierce determination. She continued her training through World War II and graduated in 1943, joining the Bolshoi company at eighteen. Despite the intense competition and political pressures in the Soviet ballet scene of that time, Plisetskaya quickly progressed. Her technical skill and stage presence set her apart, and by her late twenties, she was already one of the company's leading soloists.

Key Achievements

  • Served as prima ballerina assoluta of the Bolshoi Theatre from 1960, succeeding Galina Ulanova, and held the position for approximately three decades.
  • Created the role of Carmen in the 1967 ballet Carmen Suite, with a score written by her husband Rodion Shchedrin, which became one of the landmark productions of twentieth-century ballet.
  • Served as artistic director of the Rome Opera Ballet and the Spanish National Ballet, extending her influence as a choreographer and director internationally.
  • Awarded the Hero of Socialist Labour, the Soviet Union's highest civilian honor, as well as multiple Orders for Merit to the Fatherland from Russia and major decorations from Spain and Japan.
  • Authored the memoir I, Maya Plisetskaya, a significant document of artistic life under Soviet rule that was translated and read internationally.

Did You Know?

  • 01.Composer Rodion Shchedrin, her husband, wrote the score for Carmen Suite (1967) specifically for her, transforming Bizet's opera music into a vehicle for her interpretation of Carmen, which became one of the most celebrated ballet performances of the Soviet era.
  • 02.Soviet authorities initially restricted her foreign travel for years due to her family's history of political repression, meaning she did not begin international touring until 1959, relatively late in a career that had already made her famous domestically.
  • 03.Premier Nikita Khrushchev personally praised her as the best ballerina not just in the Soviet Union but in the world, a statement that carried significant weight in the politically charged culture of Cold War Soviet arts.
  • 04.Plisetskaya performed on stage past the age of seventy, an almost unparalleled feat in the physically demanding world of classical ballet.
  • 05.Her distinctive performance style was particularly noted for the expressive use of her arms, which critics and choreographers frequently described as unlike those of any other dancer of her time.

Family & Personal Life

ParentMikhail Plisetski
ParentRachel Messerer
SpouseMāris Liepa
SpouseRodion Shchedrin

Awards & Honors

AwardYearDetails
Order of the Rising Sun, 3rd class
Order of Lenin
Hero of Socialist Labour
Commander of the Order of Isabella the Catholic
Golden Medal for Merit to Culture
People's Artist of the USSR
Order "For Merit to the Fatherland", 1st class
Order "For Merit to the Fatherland", 2nd class
Order "For Merit to the Fatherland", 3rd class
Order "For Merit to the Fatherland", 4th class
Princess of Asturias Award for the Arts2005
Praemium Imperiale2006
Commander of the Order of the Lithuanian Grand Duke Gediminas
Knight of the Legion of Honour
People's Artist of the RSFSR
Merited Artist of the RSFSR
Order of the Red Banner of Labour
Lenin Prize1964
Jubilee Medal "In Commemoration of the 100th Anniversary of the Birth of Vladimir Ilyich Lenin"
Order for Merits to Lithuania
Pro Finlandia Medal of the Order of the Lion of Finland1968
Golden Mask
Triumph
Gold Medal of Merit in the Fine Arts1990
Chevalier des Arts et des Lettres
Commandeur des Arts et des Lettres‎
Officer of the Legion of Honour
Barbara Radziwiłł medal2005
Ordre des Arts et des Lettres
Order of Isabella the Catholic‎
Order of the Lithuanian Grand Duke Gediminas
Order of the Rising Sun
Medal for Merit to Culture
Princess of Asturias Awards
Medal "In Commemoration of the 850th Anniversary of Moscow"